Originally from Sault Ste. Marie, Ontario, Neil Fleming grew up in the Anishinaabe territory of the Robinson-Huron Treaty. He is honoured to have been part of Making Treaty 7 for the last eight years, helping amplify the stories, practices and cultures of the Treaty 7 peoples.
Neil is an award-winning playwright and screenwriter based in Calgary. Neil is best known for his work at Lunchbox Theatre, including Outside, Anomaly, Security, Last Christmas, The After Party, He Said, She Said (with Glenda Stirling), and Spare Parts (Stage One 2018). Neil is a member of the Playwrights Guild of Canada, the Past President of the Alberta Playwrights’ Network, and a tenacious winger most mornings between 7-8 am.
Neil is also a theatrical designer. Some past design credits include Napi & The Rock, Okotoks, 509 (Making Treaty 7), Come Home (Urban Stories), Gruesome Playground Injuries (Ground Zero, Hit & Myth), In A World Created By A Drunken God, And So It Goes, Goodness, Bone Cage (Downstage), A Mid-Summer Night’s Dream (CYPT), The Vajayjay Monologues (Pot of Jam, Urban Curves), Snowblind, Last Christmas, Shopaholic Husband Hunt (Lunchbox Theatre), An Almost Perfect Thing, The Kitchen Witches, The Attic, the Pearls, and Three Fine Girls (New West Theatre).
Originaire de Sault-Sainte-Marie, en Ontario, Neil Fleming a grandi sur le territoire anishinabe du Traité Robinson-Huron. Fidèle du collectif Making Treaty 7 depuis huit ans, il met un point d’honneur à amplifier les histoires, les pratiques et les cultures des membres des communautés du Traité no 7.
Scénariste et dramaturge primé, le Calgarien d’adoption est connu pour son travail au Lunchbox Theatre, notamment pour les pièces Outside, Anomaly, Security, Last Christmas, The After Party, He Said, She Said (avec Glenda Stirling) et Spare Parts (Stage One, 2018). Membre de la Playwrights Guild of Canada, il est aussi ancien président du Réseau des dramaturges de l’Alberta, et un solide ailier presque tous les matins de 7 h à 8 h.
Il a notamment travaillé comme scénographe pour Napi & The Rock, Okotoks, 509 (Making Treaty 7), Come Home (Urban Stories), Gruesome Playground Injuries (Ground Zero, Hit & Myth), In A World Created By A Drunken God, And So It Goes, Goodness, Bone Cage (Downstage); A Mid-Summer Night’s Dream (Calgary Young People’s Theatre); The Vajayjay Monologues (Pot of Jam, Urban Curves); Snowblind, Last Christmas, Shopaholic Husband Hunt (Lunchbox Theatre); An Almost Perfect Thing, The Kitchen Witches, The Attic, the Pearls, and Three Fine Girls (New West Theatre).
