≈ 50 minutes · No intermission
Last updated: May 22, 2024
Dear audiences,
I’m delighted to welcome you tonight to an encounter with a truly remarkable artist. Oona Doherty’s work is a testament to the transformative power of art, inviting us to connect with our own humanity in profound and unexpected ways. Recently awarded the 2024 Chanel Next Prize in recognition for redefining her art form, Oona is a vital force in dance.
Navy Blue transported me to a place of pure emotion, authenticity, and artistic brilliance, and I couldn’t wait for you to share in this experience. I am deeply grateful to Oona for her generosity.
We invite you to immerse yourselves in an evening of unparalleled emotion.
Prepare to be moved!
How can I Develop unison dread on stage? Dance form as a problematic symbol of freedom? Unison as a type of micro communism. Individualism as a disease? Using classical dance form and Theatre norms as the playing field of a violent act.
A destruction, A death of a form, A re-birth
We arch up into the Galactic black of deep space. Scattered with shooting stars, with bodies tearing through the night sky a deep acrylic blue.
This is a bow to dance, this is a questioning of what to do next
The poem will be heard during the performance.
Hello.
Thanks for coming.
It’s good to see ya
I didn’t know you’d be here.
I’m surprised.
You’ve come a long way.
A really long way.
Four and a half billion years.
That’s a long way to come to see a show. But I appreciate it.
It means the world to me.
I’m happy you’re here.
All the way out here.
In space.
Are we floating? Or are we falling?
Can a thing be falling if it never hits the ground? Unless everything’s falling.
Am I falling?
I’m the one in blue.
Next to the one in blue.
Next to the one in blue.
Such a small thing, almost nothing, surrounded by darkness, surrounded by all that space.
Surrounded by what’s called Everything Else.
A small, insignificant thing on a small, insignificant thing. A pale blue dot on a pale blue dot.
But look again.
There’s a whole world in that dancer.
A microcosm of everyone you love, everyone you know, every human being who ever was. When
she raises her hand its not her hand rising. All the hands rising. When he turns his head, its not
his head turning, all the heads turning, my heads turning, my heads turned.
Like the world spins on its axis
Round and around and around to end up where we started.
Falling.
Look again.
I’m every creator and destroyer of civilization, every young couple in love, every mother and
father, every hopeful child
My child.
A pale pink dot. Little insignificant thing. What’s she gonna be?
Out of a pale pink dot grew every inventor, explorer, every corrupt politician.
Every Jim crow, Donald trump, or Arlene foster
Every Marine Le Pen, Margaret Thatcher, or Adolf Hitler. Every Xi jingping, Idi amin or Kim
Jong-Un,
Every Jeff Bezos, Mark Zuckerberg, or Anders Breivik, every Harvey Weinstein, Simon
Lindberg, or Dr. Luke, every Maya Forstater, Luka Magnotta, Ben Shapiro, every Jordan
Peterson, Ben van Beurden, Josef Meingele, or Bernie Madoff, every Dominique Strauss-Kahn
or Sarah Palin
every Leopold II, or Leopold III or presumably fourth if there’d been a fourth, every Ronald
Reagan or Vladimir Putin.
Every one of them Every single one of them a pale pink dot on this pale blue dot – a little mote
of dust suspended in a sunbeam, struggling for significance.
Look again.
At a rising of a feeling, at the intent of a movement.
What’s it about? About being blue?
Every saint and sinner in the history of our species lived here
About the endless cruelties visited by the people of one corner of this pixel on the people of
some other corner, about the rivers of blood spilled by all those generals and emperors so they
could become the momentary masters of a fraction of a fucking dot.
Rivers of blood turning this pale blue dot into a pale red dot.
A history of bodies beaten black and blue and red
20th April 1968 Enoch Powell spat shite,
25th May 2020 George Floyd
28th June 1914 Franz Ferdinand is assassinated in Sarajevo
21th July 1969 a man walks on the moon
6th July 1967 the nigeran civil war begins
16th August 1819 the Peterloo massacre takes place in Manchester
22nd September 1980 a full-scale invasion of Iran by neighbouring Iraq
17th October 1961 Algerian masacare in paris
16th November 1995 Ratko Mladic is charged with genocide
11th December 1994 Russia sends tanks and troops into Chechnya
12th January 1879 the British invade the Zulus
24th February 2022 Vladimir Putin invades Ukraine
Hurling so slowly through a thick black soup of time. A parasitic organism eating itself alive and
regrowing over and over. An algorithm on loop.
Birth germ death birth germ death.
Birth germ death birth germ death.
Birth germ death birth germ death.
Birth germ death birth germ dance.
Look again at that dancer
What the fuck
That’s me.
The one in blue
Next to the one in blue
Next to one in blue
delusion
What the hell am I doing?
The engine of dread. The poison of privilege. The core is rotten.
In our obscurity, in all this vastness, there is no hint that help will come from elsewhere to save
us from ourselves.
So Yes, I will have a double,
Yes, I will fall
open arms into and out of my own ego. Let go let go the great let go.
Evaporate you little snowflake
off into the candescent art world of twinkles
Game over. Silver lion biennale smile. Deep breath asana on a frankincense oil burner night.
Make art and think about the cosmos.
Agonise over which farrow and ball paint you’ll use on the skirting board.
My amazon prime next day delivery, my mortgage, bricks and mortar, my motor, my murder
ballet. More money
More walks with cappuccinos talking about the big project
More bullshit.
I never sacrificed my privilege.
I made a show and bloody dance about it,
it paid for the paint.
Listen
all these bodies bruise-blue.
What does it cost, this pale blue dot?
Costumes €3000
Light design €3500
Projection design €4500
Sound design €7500
Technican €2000
Projector hire €2000
Set materials €1000
Tech rentals €15,000
Marketing €1800
Dancers €122'835
Accommodation €55'455
Travel €22'800
choreographer fee €10,000
childcare €3000
This speech €2500
A total production budget of What are we on?........ €291,656
And what’s the point? Who’s it for?
What will it do?
I see myself
falling
into insignificance.
The only thing left is to mutate.
Accept. Eat it all alive and kicking.
Into the deepest darkest blue night. A navy blue dread. The most evil honest reflection of what
your existence really does. Is doing. Moment by moment while you intellectualize beauty.
Waiting for a Boris Johnston update losing concentration and looking at his hair. Opened
mouthed at the nun in the middle of the road stopping the fighting. Crying over black lives
matter in a home-owner oasis in Co. Down. A milky haven. Dazed and confused t-shirts with
open arms falling into a deep dark blue abyss.
Through time and space and regret and privilege and denial and dance.
That’s it. It’s just that.
Inside that dancer is a world of work. Every blue collar, every essential worker, labouring to keep
this inessential story going, the story of how we came to be here, what we did when we were
here, and where we might be going.
This faint flicker of a falling man through deep blue night. Squinting eyes catching the last trail of
leg through space, a comet’s tail, dragged across the acrylic night sky. Arch back and look up to
where we were, what we are.
The meteor sinks its teeth in the ground. Thank god. A bloody mess
Nothing.
A pale blue dot.
There’s nothing you can do
We must love one another and die.
Thank you, Lord, for insignificance. Thank you for meaninglessness. Thank you for letting this
all pale into insignificance. This dance show. That dancer. A pale blue dot on a pale blue dot. The
only home I’ve ever known. Thank you for letting me live here. An insignificant thing on an
insignificant thing. Thank you for teaching me the importance of being unimportant. The
significance of insignificance.
And now that I mean nothing. And now that I mean nothing. I can do anything.
I will walk out of this theatre, and you will walk out of this theatre, and we will do unimportant
things and those things, thank God, will matter.
Such responsibility.
Look again.
My face is pale.
Look again
My thoughts are blue.
Look again
Until I end.
full stop.
pale blue
Oona Doherty was born in 1986 in London. She moved to Belfast when she was 10. She studied at St Louise’s comprehensive college in Belfast, The London School of Contemporary Dance, University of Ulster and LABAN London. She has been performing dance-theatre internationally since 2010 with various companies, including TRASH (NL), Abattoir Fermé (BE), Veronika Riz (IT), Emma Martin/United Fall (ROI), Enda Walsh & Landmark Productions (ROI).
She created her first solo work Hope Hunt and the Ascension into Lazarus in 2016. With this performance, she was awarded the “Tiger Dublin Fringe Festival Best Performer Award” in 2016 and the winner of the “Total Theatre Dance Award” at the Edinburgh Fringe in 2017 and the 1st Audience place and judges 1st place at Reconnaissance in Grenoble in 2017.
She created her first group piece Hard to be Soft – A Belfast Prayer in 2017, which was then voted “no.1 UK dance show of 2019” by the Guardian and was selected as one of the “top 10 Irish Artists” in 2017 by the Irish Times. In 2019, she created Lady Magma: The Birth of a Cult; a piece for 1 actress and 5 dancers, that was presented in 2022 at the Festival d’Avignon, France. In August 2022, she premiered Navy Blue.
Doherty’s distinctive and visceral choreography has sparked international attention, earning multiple awards, amazing reviews and prestigious artistic opportunities in Ireland, Europe and worldwide. She creates intense, compelling works that appeal for societal change.
Oona was awarded the Chanel NEXT Prize 2024, and the Venice Biennale Silver Lion in 2021. She was one of the Aerowaves 2017 selected artists, a Prime Cut Productions REVEAL Artist and The MAC Theatre Belfast HATCH Artist in 2016-17, an Associate Artist at Maison de la Danse de Lyon (FR) in 2017-18, and an Associate Artist at La Briqueterie Vitry-sur-Seine (FR) in 2017-19. She is Dublin Dance Festival Artist in Residence in 2020- 2022 and a Big Pulse Dance Alliance Artist 2021/2023.
Choreography
Oona Doherty in collaboration with the dancers
Performers
Amancio Gonzalez Miñon, Andréa Moufounda, Arno Brys, Kinda Gozo, Hilde Ingeborg Sandvold, Joseph Simon, Mathilde Roussin, Kevin Coquelard, Sati Veyrunes, Thibaut Eiferman, Tomer Pistiner, Zoé Lecorgne, Mohamed Mahklouf and Magdalena Öttl
Original score
Jamie xx © Universal Music Publishing Ltd.
Music production
William Smith
Additional music
Sergei Rachmaninov
Writer collaborator
Bush Moukarzel
Video and stage design
Nadir Bouassria
Lighting Design and Technical Direction
John Gunning
Stage Manager
Lisa Marie Barry
Costume Construction
Oona Doherty and Lisa Marie Barry
Management and Production
Gabrielle Veyssiere
Production and Administration
Christine Maupetit
Co-production
Kampnagel International Summer Festival (DE), Sadler’s Wells (UK), Théâtre National de Chaillot (FR), La Biennale di Venezia (IT), Maison de la Danse (FR), The Shed (USA), Belfast International Arts Festival (UK) and Big Pulse Dance Alliance (coproduced by Dance Umbrella (UK), Dublin Dance Festival (IR), Torinodanza Festival (IT), Julidans (NL)) + MC2: Grenoble (FR).
With the support of
German Federal Cultural Foundation, Creative Europe program of the European Union, Kulturstiftug des Bundes, and Direction régionale des affaires culturelles d’Ile-de-France – Ministère de la culture
Navy Blue is a creation of Oona Doherty, produced by OD Works, coproduced by Kampnagel International Summer Festival (DE), Sadler’s Wells (UK), Théâtre National de Chaillot (FR), La Biennale di Venezia (IT), Maison de la Danse (FR), The Shed (USA), Belfast International Arts Festival (UK) and Big Pulse Dance Alliance (coproduced by Dance Umbrella (UK), Dublin Dance Festival (IR), Torinodanza Festival (IT) and Julidans (NL) and presented by Tanz im August/HAU Hebbel am Ufer (DE), Zodiak – Side Step Festival (FI), ONE Dance Week (BG), International Dance Festival TANEC PRAHA (CZ), New BalticDance (LT), CODA Oslo International Dance Festival (NW), funded by the German Federal Cultural Foundation, co-funded by the Creative Europe program of the European Union, Supported by Kulturstiftug des Bundes and the support of the Direction régionale des affaires culturelles d’Ile-de-France – Ministère de la culture.
Head Carpenter
Charles Martin
Head Electrician
Éric Tessier
Assistant Electrician
Martin Racette
Property Master
Michel Sanscartier
Head Sound Engineer
Doug Millar
Executive Producer
Caroline Ohrt
Senior Producer
Tina Legari
Special Projects Coordinator and Assistant to the Executive Producer
Mireille Nicholas
Company Manager
Sophie Anka
Education Associate and Teaching Artist
Siôned Watkins
Technical Director
Brian Britton
Communications Strategist
Alexandra Campeau
Marketing Strategist
Marie-Chantale Labbé-Jacques
International Alliance of Theatrical Stage Employees