Last updated: September 12, 2019
Welcome!
We are thrilled to be co-presenting Mînowin by Dancers of Damelahamid as part of the Mòshkamo: Indigenous Arts Rising festival. We see this as a start to a great relationship between NAC Dance and Indigenous Theatre to foster our mutual desire to bring more Indigenous dance artists to our stages.
Margaret Grenier’s work evokes the natural and spiritual worlds of the potlach societies of the Northwest Coast of British Columbia and their relationship to the environment. By sourcing traditional Mask Dance, contemporary dance and ancient forms and understandings of creation, Dancers of the Damelahamid take us on a journey into the Northwest Coast Indigenous ontology, through movement and stunningly beautiful visions.
Margaret Grenier and Dancers of Damelahamid have been bringing important stories of their home to audiences across Canada to magical effect, and we are so proud to have the world premiere of their newest creation.
KEVIN LORING, Artistic Director, Indigenous Theatre du CNA
CATHY LEVY, Executive Producer, NAC Dance
Artist’s Statement
Growing up in a small community on the Northwest Coast of British Columbia, I was immersed from a young age in the practice of song and dance that had been passed down for countless generations. As Executive and Artistic Director for the Dancers of Damelahamid, I treasure dance as the most significant inheritance I have from my ancestors and it will be a life journey to strive to develop the art form to its potential. For myself, dance, song and story have provided a protective environment to address the limitations placed on our Indigenous peoples and to create a healing space. Our bodies, thoughts, emotional attachments and prayers are connected through the ceremony of dance.
In our performances we are not only turning to our ancestral knowledge for our own reconciliation but we are sharing and supporting others through our art.
About the Company
Dancers of Damelahamid is an Indigenous dance company from the Northwest Coast of British Columbia, founded upon over five decades of extensive work of song restoration. Their rich history of masked dance inspires a compelling performance, celebrating the diversity and time depth of the many beautiful Indigenous cultures across Canada. Through dramatic dance, captivating narrative, intricately carved masks and elaborate regalia, the Dancers of Damelahamid transform time and space, and bridge the ancient with a living tradition.
For countless generations song and dance played an integral part in defining art and culture, and was banned by the Canadian government for several decades, though it was still privately maintained. The Dancers of Damelahamid emerged in the 1960s out of an urgency to ensure that the knowledge of their ancestors was not lost. Over the 50 years that followed, a changed society created the context for the dances to survive through a new role: dance as a performance for public audiences.
Since 2003, the Dancers of Damelahamid has established itself as a preeminent professional Indigenous dance company that has self-produced several theatre based productions and choreographed dance works. The company has produced the annual Coastal Dance Festival since 2008, presenting Indigenous dance from throughout the BC Coast, as well as hosting guest national and international artists. It is the current directive of the Dancers of Damelahamid to redefine and characterize their practice so that the dances may continue to be tangible and accessible for the next generations.
Artists
Margaret Grenier is of Gitxsan and Cree ancestry. She is the Executive and Artistic Director for the Dancers of Damelahamid. She has produced the Coastal Dance Festival since 2008. Margaret’s multimedia choreographic works bridge Gitxsan and Cree dance forms with current expressions. Her works have toured internationally and include Setting the Path (2004) and Spirit and Tradition (2007), and Visitors Who Never Left (2009), Luu hlotitxw (2012), Flicker (2016), and Mînowin (2019). Mînowin premiered at the Mòshkamo Festival, National Arts Centre, Ottawa (2019) and at the Festival Internacional Cervantino in Guanajuato, Mexico. Margaret holds a M.A. from Simon Fraser University and a B.Sc. from McGill University. She was a sessional instructor for Simon Fraser (2007) and faculty at the Banff Centre (2013). She received the REVEAL Award (2017), the Walter Carsen Prize for Excellence in the Performing Arts (2020), DSA Distinction in Dance Award (2022), and the Isadora Award (2024).
Andrew spent 20 years training with the company and has performed with the company since 2004. Andrew has worked with cedar and textiles, creating the sets for the Dancers of Damelahamid productions since 2004 and for the annual Coastal Dance Festival since 2008. Andrew oversees all the technical and set requirements for the Dancers of Damelahamid and is the Production Manager for the Coastal Dance Festival. Andrew has a BSc from McGill University and Masters in Environmental Education from Simon Fraser University.
Charles Koroneho works in the fields of performance and culture. He explores cultural collaboration and the intersection between dance, theatre, visual arts and design. His projects are presented as performances, research workshops and arts collaborations exploring the collision between Maori cosmology, New Zealand society and global cultures.
Koroneho is a graduate of the New Zealand School of Dance and Elam School of Fine Arts, University of Auckland. He shares his vision of dance and performance by providing movement, improvisation and creative workshops for dancers, actors and performance artists. He supports the arts community as a choreographer, collaborative director, cultural consultant and mentor.
Andy Moro is the artistic co-director of ARTICLE11 with Tara Beagan, upholding the 11th Article of the UN’s Declaration on the Rights of Indigenous Peoples.
Current and recent work includes: The Unnatural & Accidental Women (NAC); Rise Red River (ARTICLE 11/Theatre Cercle Moliere/Prairie Theatre Exchange); PISUWIN (Atlantic Ballet); Sleuth, Extractionist, Gaslight (Vertigo Theatre); NOMADA (Diana Lopez Soto); F WORD (Downstage/Alberta Theatre Projects); Ministry of Grace, Reckoning, ROOM, Declaration, Deer Woman (ARTICLE11); Little Women, Honour Beat; (Theatre Calgary); Hookman (University of Calgar/Chromatic); The Last Epistle of Tightrope Time (NAC/Neptune Theatre); Post Mistress, Rez Sisters (Royal Manitoba Theatre Centre); Blackhorse (Caravan Theatre); The Herd (Citadel Theatre/Tarragon Theatre); Frozen River (Manitoba Theatre for Young People); Third Colour, Spacegirl, War Being Waged (Prairie Theatre Exchange); Ministry of Grace, Time Stands Still, O’Kosi (MT7); Sky Dancers (A'nó:wara Dance Theatre); Minowin and Raven Mother (Dancers of Damelahamid); Finding Wolastoq Voice (Theatre New Brunswick); Blood Water Earth, Blood Tides, The Mush Hole (Kaha:wi Dance Theatre).
Film & Video: RECKONING (ARTICLE 11); Road to Hasalala Danxalax (Chan Ctr/Marion Newman). Upcoming: The Ring Cycle: Das Rheingold for Edmonton Opera.
Andy is of mixed Euro/Omushkegowuk descent, and is currently based in Calgary.
Hawilkwalał, Rebecca, is of Kwakiuł, Dzawada’enuwx, and Sḵwx̱̱wú7mesh ancestry. She is a multidisciplinary artist with a BA from the University of British Columbia. Rebecca is the Artistic Associate for the Dancers of Damelahamid and the Festival Associate for the Coastal Dance Festival. Rebecca has been dancing with the company since 2014 and is a pow-wow dancer with over 20 years of experience. She is the Regalia Designer for the company’s productions Flicker (2016), Mînowin (2019), Spirit and Tradition Remount (2020), and Raven Mother (2024). She began fashion design in 2021, debuting at New York Fashion Week (2022) followed by SWAIA Santa Fe Indian Market, Vancouver Fashion Week, Vancouver Indigenous Fashion Week, and Indigenous Fashion Arts Toronto. Her work has been on exhibit at the American Museum for Natural History in New York, the Bill Reid Gallery, Museum of Vancouver, YVR Airport, and featured in Vogue and Elle Canada. She was the recipient of the YVR Emerging Artist Award, 2021.
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