≈ 2 hours · With intermission
Last updated: October 17, 2018
Hello folks,
It’s great to be back with you all, in this newly renovated orchestra shell. As you can see, the NAC Orchestra has edged closer to you (watch out!) and we have a new, fuller, more reverberant sound for you.
We’ve also done a lot of work this week to balance the amplified elements of our Pops concerts with this new state of the art sound system. We hope you can hear the improvements throughout the hall, and we’d love to get your thoughts at NACOExperiencesOCNA@nac-cna.ca.
There are all sorts of other less obvious improvements too – a better system for those with impaired hearing; vital electrical and mechanical works to keep the lights on and the building functioning; and a magnificent new lighting system integrated into the new acoustic ceiling. We hope these all magnify your experience of a great night with the NAC Orchestra!
We really appreciate you joining us again, for this season of fun and pathos, thrills and cheers.
Jack Everly is the Principal Pops Conductor of the Indianapolis Symphony Orchestra, the Naples Philharmonic (Artis—Naples), and the National Arts Centre Orchestra. He previously served as Principal Pops Conductor of the Baltimore Symphony Orchestra for 17 seasons. He has conducted the Los Angeles Philharmonic at the Hollywood Bowl, The New York Pops at Carnegie Hall, the San Francisco Symphony, and numerous appearances with The Cleveland Orchestra at Blossom Music Center.
Celebrating his 14th year as Music Director of the National Memorial Day Concert and A Capitol Fourth on PBS, Maestro Everly proudly leads the National Symphony Orchestra in these patriotic celebrations on the West Lawn of the U.S. Capitol. These concerts attract hundreds of thousands of attendees on the lawn. The broadcasts reach millions of viewers and are some of the highest-rated programming on PBS television.
Maestro Everly is also Music Director of the AES Indiana Yuletide Celebration, now a 30-plus year tradition. He led the Indiana Symphony Orchestra in its first Pops recording, Yuletide Celebration, Volume One, which included three of his own orchestrations. Some of his other recordings include In The Presence featuring the Czech Philharmonic and Daniel Rodriguez, Sandi Patty’s Broadway Stories, the soundtrack to Disney’s The Hunchback of Notre Dame, and Everything’s Coming Up Roses: The Complete Overtures of Jule Styne.
Originally appointed by Mikhail Baryshnikov, Maestro Everly was conductor of the American Ballet Theatre for 14 years, where he served as Music Director. In addition to his ABT tenure, he teamed with Marvin Hamlisch on Broadway shows that Mr. Hamlisch scored. He conducted Carol Channing hundreds of times in Hello, Dolly! in two separate Broadway productions.
Maestro Everly, a graduate of the Jacobs School of Music at Indiana University, was awarded an Honorary Doctor of Music in 2021 from his alma mater. In addition, he is a recipient of the 2023 Sagamore of the Wabash Award—the State of Indiana’s highest honour, a 2015 Indiana Historical Society Living Legends Award, and holds an Honorary Doctorate of Arts from Franklin College in his home state of Indiana. He is a proud resident of the Indianapolis community, and when not on the podium, you can find Maestro Everly at home with his family.
Leading Broadway music director and conductor, Andy Einhorn, directs concerts this year with the Boston Pops, Cincinnati Pops Orchestra, Calgary Philharmonic Orchestra, National Arts Centre Orchestra, and the National Symphony Orchestra. He's currently the Music Supervisor and Musical Director for the Broadway productions of Carousel and Hello Dolly! Einhorn’s previous Broadway credits include Holiday Inn, Woody Allen’s Bullets Over Broadway, Rodgers + Hammerstein’s Cinderella, Evita, Brief Encounter, The Light in the Piazza, and Sondheim on Sondheim. He recently served as music director and conductor for the Châtelet Theatre’s production of Sondheim’s Passion in Paris and Einhorn made his New York Philharmonic debut with world-renowned trumpeter Chris Botti.
Since 2011 Einhorn has served as music director and pianist for Six-Time Tony Award Winner, Audra McDonald, performing with her at such prestigious orchestras and venues including The Philadelphia Orchestra, San Francisco Symphony, National Symphony Orchestra, Los Angeles Opera, Avery Fisher Hall, Carnegie Hall, Walt Disney Concert Hall and Teatro Real, Madrid. They recently recorded performances for an upcoming telecast with the Sydney Symphony at the Sydney Opera House in Australia. Einhorn has also music directed for Barbara Cook at Feinstein’s and Toronto’s Royal Conservatory of Music.
His tour work includes Sweeney Todd, The Light in the Piazza, Mamma Mia!, and The Lion King. Einhorn’s work can be heard on the current touring production of Rodgers & Hammerstein’s The Sound of Music. Einhorn has worked at Goodspeed Opera House, Signature Theatre, Oregon Shakespeare Festival and PaperMill Playhouse. He was principal vocal coach and pianist for Houston Grand Opera’s An Evening with Audra McDonald, a double-bill of Poulenc’s La Voix Humaine and LaChiusa’s Send.
Recording credits include Bullets Over Broadway, Cinderella, Evita, Sondheim on Sondheim (Grammy Nom) Stage Door Canteen and McDonald’s newest release, Go Back Home. He served as the music director for HBO’s Peabody Award winning documentary Six by Sondheim and music supervisor for Great Performances Peabody Award winning special “Broadway Musicals: A Jewish Legacy” on PBS.
Andy Einhorn is an honors graduate of Rice University in Houston, Texas.
[March 2018]
Ben Crawford started his Broadway career when he covered the roles of Jean Valjean and Javert in the Broadway revival of Les Misérables at the Broadhurst Theatre. Since then, he’s played the titular character in Shrek, been a big bully in Big Fish, ran around like a sane lunatic in On the Twentieth Century, fathered a spoiled brat in Charlie & the Chocolate Factory, and he was blessed to be the Phantom in Broadway’s The Phantom of the Opera, which closed in April after its 35 years on Broadway. Ben’s other credits include 110 in the Shade, Hello Dolly, Assassins, Merrily We Roll Along, South Pacific, Beauty & The Beast, and Oklahoma! Check out Ben’s EP Electronic Pandemic on all streaming platforms.
Ted Keegan is proud to be Broadway’s Number 12 Phantom! Ted is a native of Watertown, New York with an undergraduate degree from Ithaca College and a graduate degree from University of North Carolina-Greensboro. He was last seen as the Phantom in Phantom the Las Vegas Spectacular. He starred in the National Tour of The Phantom of the Opera following a very successful run in the Broadway Company. Ted has performed the role in over 24 States across the country. He has had the great pleasure of appearing as the Phantom on television, performing live from Rockefeller Center for the Today Show on NBC. And he has the distinction of being the actor who has sung the role in front of the largest audience ever, when he made a spectacular flying entrance from the dome of Madison Square Garden singing “The Phantom of the Opera” during the half-time show of the NBA All-Star Game. Ted was deeply involved in the George Gershwin Centennial Celebration. He performed unpublished Gershwin at the opening of the George and Ira Gershwin Room at the National Archives in Washington, DC, which The New York Times reviewed as one of the ten best musical events of the year.
Ted has also sung Gershwin with Audra McDonald in New York and with Marin Mazzie at the opening of the Santa Fe Chamber Music Festival. He appeared in the Frank Loesser Celebration at Symphony Space in New York City and was a soloist at Lincoln Center’s Avery Fisher Hall, singing unheard Bernstein. Ted hosted the Yuletide Celebration in Indianapolis, singing with the 90-piece Indianapolis Symphony Orchestra. A few of the orchestras Ted has performed with as a solo performer include the Detroit, Syracuse, Charleston WV, Portland, Pittsburgh, Ottawa, Omaha, Baltimore, Las Vegas, Fort Worth, and Edmonton symphony orchestras, the Dayton Philharmonic, and the National Symphony Orchestra at the Kennedy Center. Ted made his Broadway debut in the highly acclaimed revival of Sweeney Todd, where he was seen as Anthony. Other Broadway and National Tour credits include Cyrano: The Musical, Mordred in Camelot with Robert Goulet, Freddy in My Fair Lady, Herman in The Most Happy Fella, Constantine in Hollywood/Ukraine, and another Phantom too—in the European Tour of the Kopit/Yeston version.
The Calixa-Lavallée Ensemble is the chamber choir of the School of Music of the University of Ottawa. Participation in this ensemble, which is conducted by Laurence Ewashko, allows singers to expand their knowledge in many ways: by performing a wide variety of vocal styles and repertoire; by developing a sense of blend; and by improving their sight-reading, linguistic, and vocal/choral ensemble skills. The Calixa-Lavallée Choir performs regularly throughout the school year in a variety of concerts, both at the university and within the community at large.
Formed in 1992 for a live broadcast marking 50 years of Radio Canada International, Ewashko Singers has developed into one of the most flexible vocal ensembles in the National Capital Region.
From Beethoven, Mahler, and Verdi to Richard Rodgers and Howard Shore, they skillfully perform music across a wide range of genres and languages. Under the leadership of Artistic Director Laurence Ewashko, Ewashko Singers regularly highlights Canadian composers and showcases young Canadian talent. In addition to their own concerts, they often collaborate with other local choirs and music ensembles. Recent highlights with the National Arts Centre Orchestra include the Juno Award–winning live recording of Ana Sokolović’s Golden slumbers kiss your eyes, and Harry Somers’s opera Louis Riel as part of Canada 150 celebrations.
Former conductor of the Vienna Boys’ Choir and Cantata Singers of Ottawa, Laurence Ewashko celebrates his 35th season of choral activity in the National Capital Region. As a choral clinician, vocal coach and adjudicator, he makes a significant contribution to the quality and appreciation of vocal music in Canada and abroad. Laurence has prepared choruses for many prestigious conductors, as he regularly does at the National Arts Centre.
A Full Professor of Choral Studies at the University of Ottawa, he conducts the School of Music’s two choirs. Laurence is a recipient of the prestigious Leslie Bell Prize for Choral Conducting and numerous awards from the Canada Council of the Arts. He is the founding conductor of Ewashko Singers which was established in 1992.
Manon has led a bilingual career since graduating from the Acting Program of the National Theatre School. Whether in classical or contemporary pieces, she’s collaborated with companies across the country, specifically in Toronto (Canadian Stage, Festival of Classics, Theatre Direct, Pleiades), Montreal (Denise-Pelletier, Centaur, Segal Centre, Usine C) and Sudbury (Sudbury Theatre Centre, Théâtre du Nouvel-Ontario). In Ottawa, she’s performed for French and English Theatre at the NAC, Great Canadian Theatre Company (GCTC), Arts Court, Théâtre Catapulte, Rouge Écarlate, and Créations InVivo. She’s hosted concerts with the NAC Orchestra, the Governor General’s Performing Arts Awards Gala, and several corporate events across the country. Her work on-camera includes dramatic and comedic parts in film, television, commercials, and various multimedia projects. Recent credits include Pour toi Flora (Radio-Canada), Eaux Turbulentes (ARTV and Radio-Canada), the feature Noël en boîte, and three seasons of the youth TV series Amélie et Compagnie.
Along with regular voice work, Manon has done extensive work in translating and adapting various artistic and educational projects. She’s translated plays and librettos and been on the script writing team of three youth TV series, most recently the third season of Gang de hockey (TFO). With her teaching experience at the University of Ottawa’s Theatre Department and coaching both student and professional actors alike, Manon is now transitioning into directing. She’s directed a couple of readings, a production of Aéroportée at the TNO, and assistant directed Benevolence with Eric Coates at the GCTC. She’s currently working alongside French actor Caroline Raynaud to develop a one-woman show. Its first incarnation was presented at the TNO in February 2024.
Tobi Hunt McCoy is enjoying another year as season Stage Manager with the National Arts Centre Orchestra. In past seasons, she stage-managed Mendelssohn’s A Midsummer Night’s Dream with Christopher Plummer in 2001 and Colm Feore in 2014. She co-produced the 1940s Pops show On the Air with Jack Everly for the Edmonton Symphony Orchestra, a show they co-produced in 2007 for the NAC Orchestra.
In 2018, McCoy made her Southam Hall acting debut in the role of Stage Manager in the Magic Circle Mime Co.’s production of Orchestra from Planet X. Additional professional duties have included aiding Susanna and the Countess in schooling the Count and Figaro on the finer points of marital love during The Marriage of Figaro, keeping her eyes open (for the first time ever) during the flying monkey scene in The Wizard of Oz, mistakenly asking Patrick Watson for proof of identity backstage, holding her breath while marvelling at the athletic ability of the cast during Cirque Goes Broadway, continuing to implement feedback on her British-Columbian French with the choruses of Ottawa, and cheering on Luke and Princess Leia with Charlie Ross, Émilie Fournier, and Eric Osner during the Star Wars Pops concert.
In her spare time, McCoy is the Head of Arts, Drama, English, and Library at Lisgar Collegiate Institute.
Choristers from:
Calixa-Lavallée Ensemble (CL)
Ewashko Singers (ES)
Soprano
Michelle Bawden CL
Maureen Brannan ES
Lindsay Gillis ES
Julia Jordan CL
Sharon Keenan-Hayes ES
Allison Kennedy ES
Jasmine Lyengar CL
Alexia Martins CL
Rebecca Nadler CL
Chantal Phan CL
Jessica Simpson CL
Mary Zborowski ES
Alto
Barbara Ackison ES
Wanda Allard ES
Elizabeth Burbidge ES
Hanna Crudele CL
Kulani De Larringa CL
Tessa Fackelmann CL
Anastasiya Gorodnicha CL
Erin Gustafson CL
Rachel Hotte ES
Caroline Johnston ES
Andi Murphy ES
Diana Zahab ES
Tenor
Magnus Charette CL
Cullen Coulthard CL
Caleb Fagen CL
David Lafranchise ES
Branden LeCoure CL
Daniel Miller CL
Demetry Prezelj CL
Robert Ryan ES
Ryan Tonelli ES
Bass
Galen Boulanger CL
Grant Cameron ES
Alain Franchomme ES
Kagiso Gillespie CL
Alexandre Legault CL
Kevin Marimbu CL
Cameron Martin CL
Eugene Oscapella ES
International Alliance of Theatrical Stage Employees