We all heard at one point that music is a universal language. But did you know that it was also used to fight for justice and liberation? This is especially true for Reggae. It began as a musical genre for marginalized people in Jamaica who used their music to protest against systems of oppression. Reggae was also used by women to fight for their rights. The voice of powerful Black Women resonated so strongly that in 1944, Jamaican women were granted the right to vote and sit in Parliament. In this module, meet Jah’Mila, a Jamaican-born Halifax-based vocalist who performs not only Bob Marley’s protest songs but also her own with the NAC Orchestra.
JOHNNY WAS A GOOD MAN
Composed by Bob Marley
Original Lyrics by Bob Marley
Arranged by Aaron Davis
Performed by par Daniel Bartholomew-Poyser, Jah’Mila, Kristine Kovačević, Owen ‘O’Sound’ Lee, Charlie Benoit, Alec Frith, Tedmund Skiffington, Canada’s National Arts Centre Orchestra
CHANT THEIR NAMES
Composed by Jhamiela Smith, Richard McNeil
Original Lyrics by Jhamiela Smith, Richard McNeil
Arranged by Aaron Davis
Performed by Daniel Bartholomew-Poyser, Jah’Mila, Kristine Kovačević, Owen ‘O’Sound’ Lee, Charlie Benoit, Alec Frith, Tedmund Skiffington, Canada’s National Arts Centre Orchestra
BLACK WOMAN
Composed by Judy Mowatt
Original Lyrics by Judy Mowatt
Arranged by Aaron Davis
Performed by Daniel Bartholomew-Poyser, Jah’Mila, Kristine Kovačević, Owen ‘O’Sound’ Lee, Charlie Benoit, Alec Frith, Tedmund Skiffington, Canada’s National Arts Centre Orchestra
REDEMPTION SONG
Composed by Bob Marley
Original Lyrics by Bob Marley
Arranged by Christopher Palmer
Performed by Daniel Bartholomew-Poyser, Jah’Mila, Kristine Kovačević, Owen ‘O’Sound’ Lee, Charlie Benoit, Alec Frith, Tedmund Skiffington, Canada’s National Arts Centre Orchestra
The NAC Foundation would like to acknowledge the generous support from the Friends of the NAC Orchestra, A Donor-Advised Fund at the Community Foundation of Ottawa, The Janice and Earle O’Born Fund for Artistic Excellence, Grant and Alice Burton, and the donors and sponsors of the NAC’s National Youth and Education Trust, the primary resource for youth and education funding at the National Arts Centre.