Dec 15, 2020 - 8 PM EST
60 minutes with no intermission.
BEETHOVEN String Quartet No. 3 in D major, Op. 18, No. 3 (25’)
I. Allegro
II. Andante con moto
III. Allegro
IV. Presto
JESSIE MONTGOMERY Break Away for string quartet
I. Lilting
II. Songbird
III. Smoke
IV. Quick Pass
V. Break Away
TRAD./arr. DANISH STRING QUARTET Old Reinlender from Sønndala
TRAD./arr. DANISH STRING QUARTET Sekstur from Vendsyssel-The Peat Dance
Watch the livestream right here, on this page, at 8pm on Tuesday, December 15.
This intimate chamber concert features four fantastic musicians from our string section, known collectively as the Ironwood Quartet. First formed in 2015 for the debut of The Wolfgang Sessions, the quartet is known for performing the classical and new repertoire with equal vigour.
Beethoven’s third quartet from his Opus 18 begins the program. This sunny D major work for string quartet from his “early” quartets (1796–1800) is considered the most lyrical, humorous and relaxed.
American composer Jessie Montgomery wrote her string quartet Break Away in 2013 for the PUBLIQuartet (PQ). Developed out of improvisations from when the PQ was in residence at the Banff Centre, the music requires the quartet to both play and “break away”, resulting, as the composer says, in a “seamless dialogue between the written score and the whims of the quartet, in which the piece takes on further transformation at each performance.”
Violinist Jessica Linnebach has distinguished herself among the next generation of Canadian classical artists being lauded on concert stages nationally and around the world. Since her soloist debut at the age of seven, Jessica has appeared with major orchestras throughout North America, Europe and Asia. Jessica has been a member of the National Arts Centre Orchestra (NACO) since 2003 and was named their Associate Concertmaster in April 2010.
Acknowledging the importance of versatility in today’s world, Jessica has developed a reputation as one of those rare artists who has successfully built a multi-faceted career that encompasses solo, chamber and orchestral performances. A passionate chamber musician, Jessica was a founding member of the Zukerman ChamberPlayers, a string quintet led by Pinchas Zukerman. During the 8 years they performed together, they toured extensively to international acclaim appearing throughout North America, South America the Middle East, Europe, and Asia. Their recording of the Mozart Viola Quintet in G minor was nominated for a Juno Award and its fifth release, Quintets by Mozart and Dvorak, is on the Altara Label. Chamber music collaborations have included some of the most illustrious artists of a generation - Emanuel Ax, Yefim Bronfman, James Ehnes, Leon Fleisher, Lynn Harrell, Yo-Yo Ma, Jon Kimura Parker, Itzhak Perlman, Gil Shaham, and Michael Tree.
In 2014, Jessica and three of her NACO colleagues formed the Ironwood String Quartet, and they are frequent performers at various chamber music series and festivals, including the WolfGANG and MFASA series, as well as the Pontiac Enchanté, Ritornello, and Classical Unbound festivals.
As her schedule permits, she is also a solo artist in demand across North America. Over the past couple of years she performed with orchestras in the United States, as well as in Canada, including the Edmonton and Thunder Bay Symphonies, and the National Arts Centre Orchestra.
Jessica is also the Artistic Director of the ‘Classical Unbound Festival’, a chamber music festival in Prince Edward County.
Accepted to the world-renowned Curtis Institute of Music in Philadelphia at the age of ten, Jessica remains one of the youngest ever Bachelor of Music graduates in the history of the school. While there, Jessica’s primary teachers were Aaron Rosand, Jaime Laredo and Ida Kavafian. At eighteen, she received her Master of Music degree from the Manhattan School of Music in New York City where she studied with Pinchas Zukerman and Patinka Kopec.
Jessica Linnebach plays a circa 1840 Jean-Baptiste Vuillaume (Guarnerius del Gésu 1737) violin. Her bows are crafted by Ron Forrester and Michael Vann.
Carissa Klopoushak has made a name for herself as a curious, creative, and versatile violinist. A charismatic and engaging performer, Carissa's playing has been described as the complete package of sensitive musicianship and effortless technique. Carissa proudly joined Canada’s National Arts Centre Orchestra in September 2014, after having performed with the group for a number of years. Her debut recording with Philip Chiu, SOUNDWORLDS, was released in November 2016.
Carissa considers all of Canada to be her home. She has toured the country extensively, performing recitals for Debut Atlantic and as winner of the 2009 Eckhardt-Grammatté National Competition. She has been featured at Ottawa Chamberfest, Montreal Chamber Music Festival, and Toronto Summer Music. Carissa is a passionate collaborator, performing with many chamber groups including the newly-formed Ironwood Quartet. She spent much of early 2014 performing with the Australian Chamber Orchestra, whom she joined for a series of tours and recordings.
Carissa grew up in the beautiful prairie city of Saskatoon, Saskatchewan. Still active in the prairie music scene today, Carissa is an Artistic Director of the Ritornello Chamber Music Festival, an annual event that aims to provide Saskatchewan audiences the opportunity to hear innovative concerts performed by young, engaging Canadian musicians who are currently pursuing professional careers across the country and around the globe.
Carissa is the lead singer and violinist in the Ukrainian band ТутіТам (pronounced Toot ee Tahm). Established in 2003, the band has released four albums, performed at every major Ukrainian festival across Canada, in Sydney, Australia, and recently toured Ukraine, playing major festivals and small pubs.
Carissa holds a doctorate in violin performance from McGill University. Her dissertation focuses on the little-known violin repertoire by Ukrainian composers. A laureate of the 2012 Canada Council of the Arts Musical Instrument Bank Competition, Carissa performed on the 1869 Jean Baptiste Vuillaume violin (with Vuillaume model bow); she now plays on a 2009 violin by Mark Schnurr of Flesherton, Ontario. When not performing, rehearsing, or traveling, Carissa can be found expanding her love of coffee in some little café, somewhere...
Read more about Carissa and her projects at www.carissaklopoushak.com
In 2014, after 12 years living abroad, violist David Marks returned to Canada to accept the position of Associate Principal with the NAC Orchestra. Born in Vancouver, David grew up in Virginia in the heart of a musical family. From an early age he experimented with composing, writing, drawing and painting; these passions have resulted in dozens of original songs, paintings and murals. Viola studies took him across the US and Europe for lessons with Roberto Diaz, Atar Arad, Karen Tuttle, Gerard Caussé, Thomas Riebl and Nobuko Imai, to the Banff Centre, L'Académie de Musique Tibor Varga and Prussia Cove.
In Europe, David performed as Principal Viola with L'Orchestre de Montpellier and L'Opera de Bordeaux, La Orquesta de la Ciudad de Granada, Holland Symfonia and Amsterdam Sinfonietta. He was Principal Viola of the London Philharmonic under the batons of Vladimir Jurowski, Christoph Eschenbach, Yannick Nezet-Seguin and Marin Alsop. As a fixture on the contemporary music scene, he performed across Europe with the Asko/Schonberg Ensemble, Ensemble Modern, Mondriaan Quartet, Fabrica Musica and Nieuw Amsterdamse Peil. He was a member of the avant-garde Dutch contemporary music group, Nieuw Ensemble, with whom he toured China and recorded over 40 works.
As a folk musician, David has toured Latvia, Lithuania and Estonia singing his songs with The History of Dynamite. His folk-opera, The Odyssey was performed at the Banff Centre and subsequently at Theater de Cameleon in Amsterdam. He plays fiddle and guitar and has performed with Van Dyke Parks, Bill Frisell and Patrick Watson.
He lives with his wife and 4 children in Wakefield, QC.
Assistant Principal Cello of the National Arts Centre Orchestra since 2014, Julia MacLaine performs worldwide as a soloist, chamber and orchestral musician in music ranging from classical to contemporary and from ‘world’ to her own arrangements and compositions.
Most recently, she has performed with her string quartet Ironwood in Mahone Bay (NS), at the Indian River Festival (PEI), and at their own Classical Unbound Festival in Prince Edward County. The quartet has appeared at the Wolfgang Sessions and MFASA series in Ottawa, at Ritornello Festival (SK), and in Paris. Their programs combine classical warhorses (Beethoven, Ravel, Debussy) with very new music (works by Ana Sokolovic, Nicole Lizée, Bryce Dessner, Philip Glass, Esa‐Pekka Salonen), and occasionally veer off into their own arrangements of original songs and folk music.
During the ten years she spent living in New York City, Julia collaborated frequently with composers, giving voice to new works for solo cello. Most notably, she has been a champion of Pedro Malpica’s Pachamama’s Catharsis. Ms. MacLaine could often be heard on all three stages at Carnegie Hall. As a member of Ensemble Connect (previously ACJW), she performed numerous chamber music concerts at Weill and Zankel Halls, notably as the soloist in Tan Dun’s concerto Elegy: Snow In June. She also played frequently in Stern Auditorium as a member of the Orchestra of St. Luke’s and as principal cellist for Osvaldo Golijov’s Pasion selun San Marcos. From 2005 to 2014, she was a member of the Brooklyn‐based chamber orchestra The Knights, with whom she performed the Schumann Cello Concerto in 2012 in Central Park and for live broadcast by WQXR. The Grammy‐nominated ensemble collaborates regularly with artists such as Gil Shaham, Renée Fleming, and Yo‐Yo Ma, and has recorded several albums for, among others, SONY Classical.
An entrepreneurial musician, Ms. MacLaine co‐founded the New York group The Ikarus Chamber Players, an ensemble that married classical chamber music with other art forms in their own concert series in auction houses, art galleries, and other unique venues. With her colleagues in the Academy (Carnegie and Juilliard‐led fellowship connected to Ensemble ACJW/Connect), she formed the chamber music collective Decoda to develop community chamber music residencies around the world. With Decoda, Julia has performed at the Mecklenberg‐Vorpommern Festival in Germany, in Abu Dhabi, at Suntory Hall in Tokyo, and across the United States. She has also appeared at the Lanaudière, Bic, Mostly Mozart, Tanglewood, and Ravinia Festivals.
Julia has performed with the Deutsche Kammerphilharmonie Bremen and Les Violons du Roy, and her chamber music collaborators include Itzhak Perlman, Jackie Parker, Pinchas Zukerman, membres of the Orion String Quartet, Ani and Ida Kavafian, Inon Barnatan, and Cynthia Phelps.
Originally from Prince Edward Island, Julia studied with Antonio Lysy at McGill University (BMus), and with Timothy Eddy at the Mannes College of Music (Artist Diploma) and at The Juilliard School (MMus).
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