A Conversation about Dictionaries and Indigenous Languages
2023-03-31 17:302023-03-31 18:3060Canada/Eastern🎟 NAC: Beyond Words
https://nac-cna.ca/en/event/34085
In-person event
In connection with the Beyond Words: Dictionaries and Indigenous Languages Pop-Up Exhibit, join us for this panel discussion about the complex relationship between Indigenous languages and dictionaries over several centuries, from word lists and dictionaries developed for exploration, colonization, conversion and assimilation purposes, to online language materials being developed by Indigenous communities to transmit the elders’ language knowledge to today’s youth.
Hosted by...
In connection with the Beyond Words: Dictionaries and Indigenous Languages Pop-Up Exhibit, join us for this panel discussion about the complex relationship between Indigenous languages and dictionaries over several centuries, from word lists and dictionaries developed for exploration, colonization, conversion and assimilation purposes, to online language materials being developed by Indigenous communities to transmit the elders’ language knowledge to today’s youth.
Hosted by NAC Indigenous Theatre Artistic Director Kevin Loring with special guests Marie Odile-Junker and Danielle Printup.
Marie Odile-Junker
As a linguist and lover of linguistic diversity, Dr. Marie-Odile Junker (Carleton University) is active in Indigenous language documentation, maintenance, and revitalisation. She uses a participatory-action research framework to work with communities and individuals interested in maintaining their language and seeing it thrive in the 21st century. Exploring how information and communication technologies can help Indigenous languages, she has developed several websites and co-edited online dictionaries for languages of the Algonquian family (Cree, Innu, Atikamekw). She is leading the co-creation of the Algonquian Linguistic Atlas, a large collaborative project that is building a digital infrastructure for Algonquian dictionaries and other resources. Marie-Odile was awarded a (2017) Governor's General Innovation Award.
Danielle Printup
Dani Printup (she/her) is a Hodinohso:ni (Onondaga) / Anishinaabe (Algonquin) arts worker and curator from Kitigan Zibi Anishnabeg, QC, with maternal roots in Ohsweken, ON. She has a Bachelor of Honors in Art History from the University of Guelph (2012). She has interned at the National Gallery of Canada and completed the RBC Indigenous Training Program in Museum Practices at the Canadian Museum of History. She has worked at Galerie SAW Gallery, the Indigenous Art Centre and the City of Ottawa's Public Art Program. She currently works as the Indigenous Cultural Engagement Coordinator at Carleton University Art Gallery.
Kevin Loring is an accomplished Canadian playwright, actor and director and was the winner of the Governor General’s Award for English Language Drama for his outstanding play, Where the Blood Mixes in 2009. The play explores the intergenerational effects of the residential school system. It toured nationally and was presented at the National Arts Centre in 2010, when Loring was serving as the NAC’s Playwright in Residence.
A Nlaka’pamux from the Lytton First Nation in British Columbia, Loring created the Songs of the Land project in 2012 in partnership with five separate organizations in his home community. The project explores 100-year-old audio recordings of songs and stories of the N’lakap’amux People. Loring has written two new plays based on his work with the community including Battle of the Birds, about domestic violence and power abuse, and The Boy Who Was Abandoned, about youth and elder neglect.
A versatile artist and leader Loring has served as the co-curator of the Talking Stick Festival, as Artist in Residence at the Vancouver Playhouse Theatre, as Artistic Director of the Savage Society in Vancouver, as a Documentary Producer of Canyon War: The Untold Story, and as the Project Leader/Creator, and Director of the Songs of the Land project in his home community of Lytton First Nation.
Dramaturge, acteur et professeur canadien accompli, M. Loring a remporté le Prix du Gouverneur général pour la dramaturgie de langue anglaise, en 2009, pour sa pièce remarquable intitulée Where the Blood Mixes. L’œuvre se penche sur les effets intergénérationnels du régime des pensionnats autochtones. La pièce a été présentée en tournée dans tout le pays, et notamment au Centre national des Arts en 2010 alors que M. Loring y était l’auteur dramatique en résidence.
Nlaka’pamux de la Première Nation Lytton en Colombie-Britannique, M. Loring a créé le projet Songs of the Land en 2012, en partenariat avec cinq organisations distinctes de sa collectivité natale. Cette initiative puise dans 100 ans d’enregistrements sonores des chants et récits du peuple N’lakap’amux. M. Loring a écrit deux nouvelles pièces basées sur ce travail avec la collectivité : Battle of the Birds, sur la violence familiale et l’abus de pouvoir, et The Boy Who Was Abandoned, sur la négligence à l’égard des jeunes et des aînés.
Artiste et leader polyvalent, Kevin Loring a œuvré comme coorganisateur du Talking Stick Festival, artiste résident au Vancouver Playhouse Theatre, directeur artistique de la Savage Society à Vancouver, producteur du documentaire Canyon War: The Untold Story, et fer de lance, créateur et directeur du projet Songs of the Land dans sa collectivité natale de la Première Nation Lytton.
Host Kevin Loring
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