Philippe Cyr grew up in Gaspésie. He caught the theatre bug at age seven, while attending an amateur show in which his uncle was performing. An understated director who puts himself at the service of the play he is working on, he talks about the delicate collaborative creative process behind Corps titan (titre de survie), the poignant story of actress Audrey Talbot who, in the wake of a serious bicycle accident, relates her rebirth.
“I love it when our eyes, our ears, when our work, our gaze land in completely unexpected areas.”
This interview adheres to the health and safety guidelines of the region in which it was recorded.