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Jérémie Niel worked on a wide range of artistic projects before founding his own company, Pétrus, in 2005. The first show he created with the company was La campagne (The Country), by British playwright Martin Crimp. Since then he has pursued a rigorous formal investigation into the spectator’s sensory responses. Some 15 years later, he remounted Crimp’s strange and disturbing play, which laid the foundations of his own aesthetic language.
“With La campagne, I discovered the fog that I love so much in my shows. I discovered doubt. I discovered the complexity of the unspoken. I discovered subdued lighting. I discovered introverted acting. I discovered everything, in fact, with this play.”
— Jérémie Niel
This interview adheres to the health and safety guidelines of the region in which it was recorded.
Since his childhood, Jérémie Niel has been immersed in theater. He studied science, history and political science before entering the Conservatoire d'art dramatique de Montréal to study directing. In 2005, he founded his company, Pétrus. Through his works at the crossroads of theater, dance, music and visual arts, he unfolds hypnotic environments that appeal directly to the senses of the spectator.
Attracted to a multitude of forms and mediums, he has collaborated with the dance company La 2e Porte à Gauche as well as with the music groups We are Wolves and Dear Criminals. Since 2016, he has also been a member of the associate artist committee at Théâtre de Quat'Sous.
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