The Transformations Project

TRANSFORMATIONS: Poder Existir

By Mala Theatre Collective / Nightwood Theatre

Sofia shaves her head as an act of liberation. Liz helps her document.

What do we strive do when we acknowledge the land? We believe that we are trying to answer “where do I come from?” and “how did I get here?" and “who made it possible for me to live, love, and create where I am?”

 “I am from Tkaronto - the place where the trees stand in the water. I arrived here by the heart of my mother, who herself was born on the unceded territories of the səli̓lwətaɁɬ təməxʷ, Skwxwú7mesh Úxwumixw, and the šxʷməθkʷəy̓əmaɁɬ təməxʷ. And by the will of my father, who boarded a boat to cross the Pacific at 5 years old, leaving behind his homeland in Hoiping County, Guangdong, China. And I am forever grateful to the Hode-no-sau-nee-ga, the Wendake-Nionwentsïo, the ᐊᓂᔑᓈᐯᐗᑭ, and the Mississaugas of the Credit First Nation. And in that gratitude, I acknowledge the work I must do to decolonize myself and to be accountable for my time on this land.” - Liz Der

 “I come from Monterrey, Nuevo León, México. A hot desert city which geography is described as a plain interrupted by hills. This city by the foothill of the Sierra Madre Oriental was inhabited by semi-nomadic hunter-gatherer peoples now known as: Alazapas, Coahuiltecos, Huachichiles, and the Borrados. Although mostly unrecorded, I’d like to acknowledge the traditional caretakers of the land I was born in. As a settler in this land, I’m now grateful for the possibilities the question: ‘Where are you from’ has offered me, for I do not know if I would have learned this if someone hadn’t asked. I am also deeply grateful to live, love and create on this land, traditionally of the Mississaugas of the Credit First Nation, the Anishnabeg, the Haudenosaunee Confederacy and the Wendat peoples.” - Sofía Rodríguez

Commissioned by Nightwood Theatre. By Mala Theatre Collective: Liz Der + Sofía Rodríguez.

English with English Subtitles y Subtítulos en Español.