Delphine Bienvenu

Delphine Bienvenu has appeared on stage in classics of the repertoire (Chekhov’s Les trois sœurs, Goldoni’s Les jumeaux vénitiens), new works (Evelyne de la Chenelière’s L’éblouissement du chevreuil, Justin Laramée’s 4 fois Mélanie 1/2, Jean-Guy Legault’s Théâtre extrême, and Olivier Choinière’s Chante avec moi), and contemporary plays (Martin Crimp’s La campagne).

Fluently bilingual, she has performed in the English version of Olivier Choinière’s Félicité (Bliss), as well as in The Bacchae, Blind, and David Fennario’s Motherhouse at Centaur Theatre. She belongs to several improv leagues, and competed for seven seasons in the Ligue nationale d’improvisation before becoming a coach.

Her film credits include Anne-Marie Ngô’s À trois, Marie s’en va, Stéphane Lafleur’s Continental, un film sans fusil and Patrick Gazé’s Ceci n’est pas un polar.