For Ron Sexsmith, there’s always a trigger to an album, something that sets in motion the songs he’s writing not exactly as a concept, but certainly a theme or feel. His last album, Forever Endeavour, was born of a health scare while its predecessor Long Player, Late Bloomer was born of disillusionment. 2015’s Carousel One, however, finds Sexsmith in surprising territory for a man often pegged as a downbeat balladeer: he’s actually contented.
Carousel One (named for the luggage retrieval belt at Los Angeles airport where bags off Toronto flights are delivered) is probably Sexsmith’s most diverse album, another “happy accident”. Songs like ‘No One’ came from the idea of attempting to write in the vein of Roger Miller. Opening track ‘Sure As The Sky’ originated as a folky campfire song but it turned into more of a folk/rock number.