Amanda Forsyth © Cheryl Mazak
Elim Chan © Willeke Machiels
Music Classical music Masterworks
  • Approx. 1 hour  and  15 minutes
Performance options Start time Language Availability
Wednesday, November 14, 2018 10:00 am bilingual Seats available

“I envisage myself as a prism in which music and the musicians are like the ray of white light that goes through one end of me, and I refract,” muses Elim Chan, the young conductor making her NAC main series debut in these concerts.  A past fellow in the NAC Orchestra’s Conductor’s Program, the Hong Kong-born musician has made her mark on the classical music circuit with her thoughtful and dynamic performances, imbued with energy and imagination.

JUNO Award winner Amanda Forsyth, the long-tenured former principal cello of the NAC Orchestra, has enthralled critics and audiences the world over with her remarkable technique, intense tone and exceptional musicality. Exuding a palpable charisma, she commands the gaze of audiences, captivating them beyond the aural realm.

Forsyth will premiere a new work written for her by leading Canadian composer Marjan Mozetich.  A self-professed lover of all types of popular music, Mozetich composes in a unique style of post-modern romantic blended with traditional, popular and modern sounds.  “There’s a certain satisfaction and a pleasure in writing something that connects to people”, said Mozetich.

Experience the creation of a new work, brought to life by the marriage of musical minds.

 


Commissioned by Charles Richard (Dick) Harington for 
Canada’s National Arts Centre Orchestra
Alexander Shelley, Music Director 
 

Artists

  • conductor Elim Chan
  • amandaforsyth
    cello Amanda Forsyth

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Learning and engagement at Canada’s National Arts Centre is made possible through the support of many generous individuals and organizations from across the country. Arts Alive is generously supported by the Azrieli Foundation, the Government of Nunavut, Canadian North, Calm Air, The River Philip Foundation, The Turnbull Family Community Building Foundation, and The Thomas Sill Foundation. Thank you also to Grant and Alice Burton, Canada Life, A Donor-Advised Fund at the Community Foundation of Ottawa, Friends of the NAC Orchestra, Donors to the NAC Foundation's Future Fund, The Janice and Earle O’Born Fund for Artistic Excellence, and the donors and sponsors of the NAC’s National Youth and Education Trust, the primary resource for youth and education funding at the National Arts Centre.