≈ 60 minutes · No intermission
A passionate communicator, Daniel brings clarity and meaning to the concert hall, fostering deep connections between audiences and performers. Daniel Bartholomew-Poyser is concurrently the Principal Youth Conductor and Creative Partner of the National Arts Centre Orchestra, the Principal Education Conductor and Community Ambassador of the Toronto Symphony Orchestra, Artist in Residence and Community Ambassador of Symphony Nova Scotia, and Resident Conductor of Engagement and Education of the San Francisco Symphony.
He served as Assistant Conductor of the Kitchener-Waterloo Symphony and Associate Conductor of the Thunder Bay Symphony Orchestra. Daniel has performed with the Vancouver Symphony Orchestra, Edmonton Symphony Orchestra, Calgary Philharmonic, and was Cover Conductor with the Washington National Opera in 2020.
In the 2021 Season Daniel will debut with the Carnegie Hall Link-Up Orchestra, the Detroit Symphony Orchestra, the Regina Symphony Orchestra, the Prince Edward Island Symphony Orchestra and the Canadian Opera Company.
Daniel is the host of Canadian Broadcasting Company’s nationally broadcast weekly radio show Centrestage.
He was also the subject of an award-winning, full-length Canadian Broadcasting Corporation documentary called Disruptor Conductor, focussing on his concerts for Neurodiverse, Prison, African Diaspora and LGBTQ2S+ populations.
Daniel earned his Bachelors in Music Performance and Education from the University of Calgary, and his Master of Philosophy in Performance from the Royal Northern College of Music in Manchester, England.
Since its debut in 1969, the National Arts Centre (NAC) Orchestra has been praised for the passion and clarity of its performances, its visionary educational programs, and its prominent role in nurturing Canadian creativity. Under the leadership of Music Director Alexander Shelley, the NAC Orchestra reflects the fabric and values of Canada, reaching and representing the diverse communities we live in with daring programming, powerful storytelling, inspiring artistry, and innovative partnerships.
Alexander Shelley began his tenure as Music Director in 2015, following Pinchas Zukerman’s 16 seasons at the helm. Principal Associate Conductor of the Royal Philharmonic Orchestra, and former Chief Conductor of the Nuremberg Symphony Orchestra (2009–2017), he has been in demand around the world, conducting the Rotterdam Philharmonic, DSO Berlin, Leipzig Gewandhaus, and Stockholm Philharmonic, among others, and maintains a regular relationship with the Deutsche Kammerphilharmonie and the German National Youth Orchestra.
Each season, the NAC Orchestra features world-class artists such as the newly appointed Artist-in-Residence James Ehnes, Angela Hewitt, Joshua Bell, Xian Zhang, Gabriela Montero, Stewart Goodyear, Jan Lisiecki, and Principal Guest Conductor John Storgårds. As one of the most accessible, inclusive, and collaborative orchestras in the world, the NAC Orchestra uses music as a universal language to communicate the deepest of human emotions and connect people through shared experiences.
Aliénor (Allie) Rougeot is a climate justice activist, and a program manager at Environmental Defence Canada where she advocates for a just transition for workers and communities. She has been a human rights advocate since a very young age, with a focus on climate justice since high school. She co-founded the group Fridays for Future Toronto and has led numerous student climate strikes in that role. She is a public speaker and workshop facilitator, using these opportunities to raise awareness on the urgency of the climate crisis, discuss the solutions that are available to us as a society and empower others to join the fight for climate justice. She has been recognized by The Starfish in the 25 under 25 Environmentalists, and by Corporate Knights in their 30 Under 30 Sustainability Leaders.
Côte d’Ivoire, West Africa | Manitoba, Canada
Weaving in influences from her African heritage, la chanson française, and American gospel, Kelly Bado’s music crosses cultural barriers to bring people together in joy and hope. Her striking vocals and uplifting melodies were recognized with a 2021 WCMA Francophone and Global Artist of the Year Award. With lyrics inspired by love, celebration and social equality, Kelly is committed to the vision of an inclusive world where we come together as citizens of this vast planetary village - each contributing our unique strengths to the common experience.
Juno-nominated Cris Derksen is an Internationally respected Indigenous Cellist and Composer. In a world where almost everything—people, music, cultures—gets labelled and slotted into simple categories, Cris Derksen represents a challenge. Originally from Northern Alberta, she comes from a line of chiefs from NorthTall Cree Reserve on her father’s side and a line of strong Mennonite homesteaders on her mother’s. Derksen braids the traditional and contemporary, weaving her classical background and Indigenous ancestry with new school electronics to create genre-defying music.
As composer Derksen has a foot in many worlds, 2019 compositions include Maada’ookii Songlines – a Mass Choral piece for 250 singers Commissioned by Luminato Festival. Rebellion—a short symphony commissioned by the Thunder Bay Symphony Orchestra. Iron Peggy – a Theatre piece commissioned by the Vancouver Children’s Festival. A new performance art piece commissioned by the National Art Gallery of Canada, Ikumagiialit. Her 2018 works include the DORA Award for Best Sound Design for Theatre 2018; Kiinalik: these sharp tools, TIFF Premier Biidaaban (the dawn comes) Short Animation Film by Amanda Strong, Ka:hawai Dance Company production of BloodTides, Kamloopa Theatre production, 2018 Banff Centre for the Arts String Quartet Residency White Mans Cattle and Wood Quintet International 5 bucks per head.
As a performer, Derksen performs nationally and internationally solo and with some of Canada’s finest, including Tanya Tagaq, Buffy Sainte Marie, Naomi Klein, and Leanne Simpson, to name a few. Recent destinations include Hong Kong, Australia, Mongolia, Sweden, and a whole lot of Canada—the place Derksen refers to as home.
Marie Bégin, violin
Canadian violinist Marie Bégin has performed in recitals in Canada, the United States, The United Kingdom, Europe, and China. She was soloist with the Stuttgart Chamber Orchestra, the Orchestre symphonique de Québec, Les Violons du Roy, and the Agora Symphony Orchestra, among others. She is frequently invited to perform in several renowned ensembles, notably, as assistant concertmaster of the Hulencourt Soloist Chamber Orchestra for concerts in Milan, Brussels, and Spain. A passionate chamber player, she collaborates with renowned artists such as Charles Richard-Hamelin and Andrew Wan. At age 26, she was appointed first violin of the Saguenay Quartet (Alcan) as well as concertmaster of the Orchestre symphonique du Saguenay-Lac-St-Jean. She also forms a permanent duo with pianist Samuel Blanchette-Gagnon, a group that has been heard at the Riviera Music Academy in Switzerland, among others. The duo is currently working on a recording of 20th century works for violin and piano.
A graduate of the Conservatoire de musique de Québec, Marie Bégin studied with Andrée Azar, Jean Angers, and Darren Lowe. She then pursued her studies in Europe with Zakhar Bron, at his academy in Switzerland, but also at the Menuhin Academy, Kronberg Academy, and Mozarteum University.
Marie Bégin has been selected in several major international competitions, including the Wieniawski International Violin Competition in Poland and the Shanghai Isaac Stern International Violin Competition. She has won several prizes, including the grand prize at the Festival-Concours Pierre-de-Saurel and the international Rotary Douja d'Or prize awarded by Switzerland, France, Germany, and Italy. She is supported by the Canada Council for the Arts and the Conseil des arts et des lettres du Québec. She plays on a J.B. Vuillaume violin (1850) graciously loaned by Canimex Inc.
The Calixa-Lavallée Ensemble is the chamber choir of the School of Music of the University of Ottawa. Participation in this ensemble, which is conducted by Laurence Ewashko, allows singers to expand their knowledge in many ways: by performing a wide variety of vocal styles and repertoire; by developing a sense of blend; and by improving their sight-reading, linguistic and vocal/choral ensemble skills. The Calixa-Lavallée Choir performs regularly throughout the school year in a variety of concerts, both at the university and within the community at large.
Emily Deschamps
Jana Dugalic
Annika Fabbi
Liana Fonesca
Morgan McCarthy
Lucia Micu
Lana Pastuszak
Ana Socaci
Thalia Urbani
Kelsey Chen
Katie Cruickshank
Maya Farrell
Mia Ferrelli
Emily Hou
Lara Jimenez
Sarah Kooy
Brianna Lawrie
Annabelle Mowry
Caitlin Strong
Clara-Maria Thaut
Zifan Wang
Tom Cheng
Matt Gannon
Nikhil Gopal
Seamus Hayden
Alex Kitt
Callum McDonald
Yann McHaffie
Robin Rigby
Nicolas Charette-Côté
Philip Lukic
Alexander Meraw
Alexis Poirier
Alex Young
Former conductor of the Vienna Boys’ Choir and Cantata Singers of Ottawa, Laurence Ewashko celebrates his 32nd season of choral activity in the National Capital Region. As a choral clinician, vocal coach and adjudicator, he makes a significant contribution to the quality and appreciation of vocal music in Canada and abroad. Laurence has prepared choruses for many prestigious conductors, and he regularly does so at the National Arts Centre.
A Full Professor of Choral Studies at the University of Ottawa, he conducts the School of Music’s two choirs. Laurence is a recipient of the prestigious Leslie Bell Prize for Choral Conducting and numerous awards from the Canada Council of the Arts.
SPHERE is presented as part of Nordic Bridges, a year-long cultural initiative led by Harbourfront Centre in Toronto and supported by the Nordic Council of Ministers. Visit NordicBridges.ca to learn more.