Since its debut in 1969, the National Arts Centre Orchestra has been praised for the passion and clarity of its performances, its visionary educational programs, and its prominent role in nurturing Canadian creativity. Under the leadership of Music Director Alexander Shelley, the Orchestra performs a full series of subscription concerts at the National Arts Centre each season, featuring world-class artists such as James Ehnes, Angela Hewitt, Joshua Bell, Xian Zhang, Gabriela Montero, Stewart Goodyear, Jan Lisiecki, and Principal Guest Conductor John Storgårds.

Alexander Shelley began his tenure as Music Director in 2015, following Pinchas Zukerman’s 16 seasons at the helm. Principal Associate Conductor of the Royal Philharmonic Orchestra, and former Chief Conductor of the Nuremberg Symphony Orchestra (2009 - 2017), he has been in demand around the world, conducting the Rotterdam Philharmonic, DSO Berlin, Leipzig Gewandhaus, and Stockholm Philharmonic, among others, and maintains a regular relationship with the Deutsche Kammerphilharmonie and the German National Youth Orchestra.

National and international tours have been a hallmark of the National Arts Centre Orchestra from the very beginning. The Orchestra has toured 95 times since its inauguration in 1969, visiting 120 cities in Canada, as well as 20 countries and 138 cities internationally. In recent years, the orchestra has undertaken performance and education tours across Canada, as well as the U.K. and China. In 2019, the Orchestra marked its 50th anniversary with a seven-city European tour that included performances and education events in England, France, the Netherlands, Denmark and Sweden, and that showcased the work of six Canadian composers.

The NAC Orchestra has recorded many of the more than 80 new works commissioned since its inception, for radio and on over 40 commercial recordings. These include Angela Hewitt’s 2015 JUNO Award-winning album of Mozart Piano Concertos; the groundbreaking Life Reflected, which includes My Name is Amanda Todd by Jocelyn Morlock, winner of the 2018 JUNO for Classical Composition of the Year; and from the 2019 JUNO nominated New Worlds, Ana Sokolović’s Golden Slumbers Kiss Your Eyes, 2019 JUNO Winner for Classical Composition of the Year.

The NAC Orchestra reaches a national and international audience through touring, recordings, and extensive educational outreach. The Orchestra performed on Parliament Hill for the 2019 Canada Day noon concert in a live broadcast for CBC Television.

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Alexander Shelley succeeded Pinchas Zukerman as Music Director of Canada’s National Arts Centre Orchestra in September 2015.  The ensemble has since been praised as “an orchestra transformed … hungry, bold, and unleashed” (Ottawa Citizen) and Alexander’s programming credited for turning the orchestra “almost overnight … into one of the more audacious orchestras in North America.” (Maclean’s magazine).

Born in London in October 1979, Alexander, the son of celebrated concert pianists, studied cello and conducting in Germany and first gained widespread attention when he was unanimously awarded first prize at the 2005 Leeds Conductors' Competition, with the press describing him as "the most exciting and gifted young conductor to have taken this highly prestigious award. His conducting technique is immaculate, everything crystal clear and a tool to his inborn musicality”. In August 2017 Alexander concluded his tenure as Chief Conductor of the Nürnberger Symphoniker, a position he held since September 2009. The partnership was hailed by press and audience alike as a golden era for the orchestra, where he transformed the ensemble’s playing, education work and international touring activities. These have included concerts in Italy, Belgium, China and a re-invitation to the Musikverein in Vienna.

In January 2015 he assumed the role of Principal Associate Conductor of London’s Royal Philharmonic Orchestra with whom he curates an annual series of concerts at Cadogan Hall and tours both nationally and internationally.

Described as “a natural communicator both on and off the podium” (Daily Telegraph) Alexander works regularly with the leading orchestras of Europe, the Americas, Asia and Australasia, including the Leipzig Gewandhaus Orchestra, Deutsche Symphonie-Orchester Berlin,, Orchestre de la Suisse Romande, Gothenburg Symphony, Stockholm Philharmonic, Hong Kong Philharmonic, Sao Paulo Symphony and the Melbourne and New Zealand Symphony Orchestras. This season’s collaborations include debuts with the Sydney Symphony Orchestra, Orchestre National de Belgique, Orchestre Metropolitain Montreal, Orquesta Sinfonica de Valencia, and Milwaukee Symphony Orchestra; alongside returns to MDR Sinfonieorchester Leipzig, Orchestre Philharmonique de Luxembourg and the Tasmanian symphony orchestras. He will also embark on an extensive tour of Europe with the National Arts Centre Orchestra performing in cities such as London, Paris, Stockholm and Copenhagen

Highlights of the previous season include debuts with the Helsinki and Warsaw Philharmonic Orchestras and Bamberg Symphony Orchestra, as well as at the Aspen Festival in Colorado.  Re-invitations include Konzerthausorchester Berlin, RTE National Symphony Orchestra and a return to the Tivoli Festival with the Copenhagen Philharmonic.        

Alexander’s operatic engagements have included The Merry Widow and Gounod’s Romeo and Juliet (Den Kongelige Opera); La Bohème (Opera Lyra/National Arts Centre), Iolanta (Deutsche Kammerphilharmonie Bremen), Così fan Tutte (Opéra National de Montpellier), The Marriage of Figaro (Opera North) in 2015 and he led a co-production of Harry Somers’ Louis Riel in 2017 with the NACO and Canadian Opera Company.

Alexander was awarded the ECHO prize in 2016 for his second Deutsche Grammophon recording, “Peter and the Wolf”, and both the ECHO and Deutsche Grunderpreis in his capacity as Artistic Director of the Deutsche Kammerphilharmonie Bremen’s “Zukunftslabor”, a visionary project of grass-roots engagement, which uses music as a source for social cohesion and integration. Through his work as Founder and Artistic Director of the Schumann Camerata and their ground-breaking “440Hz” series in Dusseldorf, and through his leadership roles in Nuremberg, Bremen and Ottawa, inspiring future generations of classical musicians and listeners has always been central to Alexander’s work. He has led the German National Youth Orchestra on several tours of Germany and works with many thousands of young people a year in outreach projects. He regularly gives informed and passionate pre- and post-concert talks on his programmes, as well as numerous interviews and podcasts on the role of classical music in society. He has a wealth of experience conducting and presenting major open-air events - in Nuremberg alone he has, over the course of nine years, hosted more than half a million people at the annual Klassik Open Air concerts - Europe’s largest classical music event.

The Music Director role is supported by Elinor Gill Ratcliffe, C.M., O.N.L., LL.D. (hc)

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Violinist Jessica Linnebach has distinguished herself among the next generation of Canadian classical artists being lauded on concert stages nationally and around the world. Since her soloist debut at the age of seven, Jessica has appeared with major orchestras throughout North America, Europe and Asia.   Jessica has been a member of the National Arts Centre Orchestra (NACO) since 2003 and was named their Associate Concertmaster in April 2010.

Acknowledging the importance of versatility in today’s world, Jessica has developed a reputation as one of those rare artists who has successfully built a multi-faceted career that encompasses solo, chamber and orchestral performances. A passionate chamber musician, Jessica was a founding member of the Zukerman ChamberPlayers, a string quintet led by Pinchas Zukerman. During the 8 years they performed together, they toured extensively to international acclaim appearing throughout North America, South America the Middle East, Europe, and Asia.  Their recording of the Mozart Viola Quintet in G minor was nominated for a Juno Award and its fifth release, Quintets by Mozart and Dvorak, is on the Altara Label. Chamber music collaborations have included some of the most illustrious artists of a generation - Emanuel Ax, Yefim Bronfman, James Ehnes, Leon Fleisher, Lynn Harrell, Yo-Yo Ma, Jon Kimura Parker, Itzhak Perlman, Gil Shaham, and Michael Tree.

In 2014, Jessica and three of her NACO colleagues formed the Ironwood String Quartet, and they are frequent performers at various chamber music series and festivals, including the WolfGANG and MFASA series, as well as the Pontiac Enchanté, Ritornello, and Classical Unbound festivals.

As her schedule permits, she is also a solo artist in demand across North America. Over the past couple of years she performed with orchestras in the United States, as well as in Canada, including the Edmonton and Thunder Bay Symphonies, and the National Arts Centre Orchestra.

Jessica is also the Artistic Director of the ‘Classical Unbound Festival’, a chamber music festival in Prince Edward County.

Accepted to the world-renowned Curtis Institute of Music in Philadelphia at the age of ten, Jessica remains one of the youngest ever Bachelor of Music graduates in the history of the school. While there, Jessica’s primary teachers were Aaron Rosand, Jaime Laredo and Ida Kavafian. At eighteen, she received her Master of Music degree from the Manhattan School of Music in New York City where she studied with Pinchas Zukerman and Patinka Kopec.

Jessica Linnebach plays a circa 1840 Jean-Baptiste Vuillaume (Guarnerius del Gésu 1737) violin.  Her bows are crafted by Ron Forrester and Michael Vann.

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A 2004 graduate of the National Circus School, Claudel Doucet is an interdisciplinary artist with a background in the contemporary circus culture. After touring for several years as a performer with major companies such as Cirque du Soleil and Circus Monti (Switzerland), Claudel switched to creating circus work. She cofounded the Compagnie du Poivre Rose in 2014, presenting her eponymous show at the Circa festival in Auch before touring internationally. Claudel later founded her own company, LION LION in 2019. At the helm of LION LION, she creates various multidisciplinary projects that have received critical acclaim in several international festivals, including the Montreal Complètement Cirque festival. Her work explores new dramaturgical writing within the circus practice. Today, Claudel collaborates as a director and artistic advisor at the National Circus School.

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For Mélanie Dumont, the theatre is a fabulous playground! Since 2011 as associate artistic director of NAC French Theatre, Mélanie has focused on providing fantastic interdisciplinary spaces for audiences age 0 to 20 to flex their imaginations! A close associate of Brigitte Haentjens, she has acted as dramaturg for several of her productions, including Richard III and Dans la solitude des champs de coton, and also wrote Ce qui se trame, an overview of this important artist’s practice. Having developed close artistic links with Flemish creators over the years, Mélanie has collaborated on a number of Belgian projects, including Hush with the Zonzo company and the BIG BANG Festival.

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For more than 30 years, the ENC, a school for higher education in arts, after the great schools of music, dance, and theatre, has trained hundreds of artists who have undertaken professional training. The placement rate for graduates averages 95 percent. On the strength of their great versatility and mastery of their chosen discipline, these artists continue to develop their crafts as they perform in the most prestigious venues on all continents.

Internationally renowned for the highest-quality training, the School opens its doors to more than 150 students from around the world. The School’s staff, a dedicated team comprised of more than 80 teachers, lecturers, and artistic advisors, provides students with exceptional resources. These passionate and experienced professionals have all made a mark in their respective fields, which encompass circus, education, sports, and the performing arts, in Canada and beyond. With new facilities that cater to all disciplines while promoting safety, the School provides a unique learning environment.