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Artists
Celia Franca founded The National Ballet of Canada in 1951 with the goal of presenting the best of classical and contemporary ballet. Today the company is among the world’s finest, with 70 dancers, an in-house orchestra and a permanent home at The Walter Carsen Centre in Toronto. The National Ballet has a history of pre-eminent Artistic Directors and, starting January 2022, welcomed new leader Hope Muir.
Renowned for its diverse repertoire, the company performs traditional full-length classics, embraces contemporary work and encourages the creation of new ballets as well as the development of Canadian choreographers. The company’s repertoire includes works by Frederick Ashton, George Balanchine, Aszure Barton, Marie Chouinard, John Cranko, William Forsythe, James Kudelka, Wayne McGregor, Kenneth McMillan, John Neumeier, Rudolf Nureyev, Crystal Pite, Alexei Ratmansky, Christopher Wheeldon and the company’s Choreographic Associates Robert Binet and Guillaume Côté, among other creators.
In recent years, the National Ballet has become a top destination for creative partnerships and the building and staging of new work. Since 2011, the company’s highly skilled production team has worked from a state-of-the-art facility, The Gretchen Ross Production Centre, to build and store its glorious sets and costumes.
The National Ballet performs three extended engagements at Toronto’s Four Seasons Centre for the Performing Arts each year, augmented by national and international tours. The company has performed in Canada, the USA, the UK, Germany, The Netherlands, Israel, China, Japan, Italy and Mexico, with recent appearances in London, Los Angeles, Paris, Hamburg, Moscow, St. Petersburg, New York City and Washington, D.C.
Reaching audiences beyond the traditional theatre setting is one of the National Ballet’s highest priorities, particularly for children, youth and families. The company has a wide range of age-appropriate community engagement initiatives designed to share the joy and power of dance with young people in schools, hospitals, community settings and homes in ways that are meaningful and rewarding for them. YOU dance is the largest of these programmes and offers FREE workshops and performances to students in grades four through six.
The National Ballet upholds the principles of Equity, Diversity and Inclusion (EDI) in all aspects of its work and is taking important steps to better reflect Canada’s cultural diversity throughout the organization, its partners and audiences.
Hope Muir is an acclaimed dancer, teacher and director whose 33-year career spans two continents and a range of classical and contemporary styles. Born in Toronto, she is one of the first graduates of Peter Schaufuss’ London Festival Ballet School and a former dancer at the English National Ballet, Rambert Dance Company and Hubbard Street Dance Chicago. In 2009, Hope assisted Crystal Pite with the creation of Emergence for The National Ballet of Canada and has since helped to stage the work internationally. She has assisted numerous choreographers in this capacity, staging work by Christopher Bruce, Javier De Frutos and Helen Pickett, among others. Hope is the former Assistant Artistic Director of the Scottish Ballet and in 2017, she was appointed Artistic Director of Charlotte Ballet in North Carolina, where she expanded the repertoire and established the highly successful Choreographic Lab. She assumed the role of Joan and Jerry Lozinski Artistic Director of The National Ballet of Canada on January 1, 2022.
Born in Spain, Vanesa G. R. Montoya joined Les Grand Ballets Canadiens de Montréal in 2006 and became the company’s first Black Principal Dancer in 2018.
Ms.Montoya has performed as a soloist dancer in several ballets including The Sleeping Beauty, The Nutcracker, Rubies, The Firebird, The Four Seasons, Roméo et Juliette, The Rite of Spring, Rassemblement, Le regard d’Orphée, Leonce and Lena, Cantata, The Queen of Spades, The Little Prince, Duende, Coming Together, Arenal, L'Amoroso, Jardí Tancat, Six Dances, Forgotten Land, Bella Figura, Symphony of Psalms, Polyphonia, Arbos, Danz, Minus One, Searching for Home, Dream Away, RE-,II, Frisking, Ondine, Désert d'amour, Dance, Chamber Suite, Episodes, Noces, among others. Her repertoire also includes ballets from world-renowned choreographers such as George Balanchine, Jiří Kylián and Christopher Wheeldon.
Ms.Montoya was an Honourable Mention (Torrelavega) at the 2002 Prix de la Fondation Princesse Grace, Monaco Dance Forum.
Born in Toronto, Canada, Dora winner Jera Wolfe is a choreographer and performer of Métis heritage and is an Associate Artist with Red Sky Performance.
Mr. Wolfe’s captivating choreography has awarded him the 2019 Dora Mavor Moore Award for Outstanding Original Choreography for Trace. He has demonstrated an impressive repertoire of works presented by Canadian Stage, Fall For Dance North, Banff Centre for Arts and Creativity, Festival des arts de Saint-Sauveur, Danse Danse, and Jacob's Pillow. Some of his recent works include Bare choreographed on Canada's Royal Winnipeg Ballet, FLOW by Red Sky Performance, Arise for Canada's National Ballet School, and Begin Again for Winnipeg’s Contemporary Dancers.
Most recently Jera presented an evening of works titled Reverie at Festival des arts de Saint-Sauveur.
Aside from choreography, he performs primarily for Red Sky Performance and has also performed with many other companies including Peggy Baker Dance Projects.
Christopher Wheeldon trained at The Royal Ballet School and joined The Royal Ballet in 1991. In 1993, he joined New York City Ballet (NYCB) and was promoted to Soloist in 1998. He was named NYCB’s first Resident Choreographer in July 2001. Since then, Mr. Wheeldon has created and staged productions for the world’s major ballet companies.
Mr. Wheeldon is Artistic Associate of The Royal Ballet where he has created many works including Alice’s Adventures in Wonderland and The Winter’s Tale, both of which were co-productions with The National Ballet of Canada. He has also choreographed for the Metropolitan Opera, created ballet sequences for the feature film Center Stage (2000) and Sweet Smell of Success on Broadway (2002), created a special excerpt for the Closing Ceremony of the London 2012 Olympics and was the Artistic Director for Les Arts Decoratif’s Fashion Forward exhibit in Paris (2016).
In 2014, Mr. Wheeldon directed and choreographed the musical version of An American in Paris, which had productions in Paris, on Broadway and in London. For this production, Mr. Wheeldon received a Tony Award for Best Choreography and an Outer Critics Award for Best Choreography and Direction. His many other awards include the Martin E. Segal Award from Lincoln Center, American Choreography Award, Dance Magazine Award, multiple London Critics’ Circle Awards, Leonard Massine Prize, Prix Benois de la Danse and an Olivier Award. In 2016, Mr. Wheeldon was named an Order of the British Empire (OBE) and was made an Honorary Fellow of American Academy of Arts and Sciences.
In a choreographic career spanning three decades, Crystal Pite has created more than 50 works for dance companies in Canada and around the world. She is the founding artistic director of the Vancouver-based company Kidd Pivot, world-renowned for radical hybrids of dance and theatre that are assembled with a keen sense of wit and invention. Crystal is known for works that courageously address such challenging and complex themes as trauma, addiction, conflict, consciousness, and mortality; her bold and original vision has earned her international acclaim and inspired an entire generation of dance artists.
Crystal Pite was born in Terrace, BC, and grew up in Victoria. She began her dance career as a company member of Ballet British Columbia (Ballet BC), then William Forsythe’s Ballett Frankfurt. She made her choreographic debut in 1990 at Ballet BC, and since then has created works for such prominent companies as The Royal Ballet, The Paris Opera Ballet, Nederlands Dans Theater, Cullberg Ballet, Ballett Frankfurt, The National Ballet of Canada, Ballets Jazz Montréal (resident choreographer 2001–04), and Cedar Lake Contemporary Ballet. She has also collaborated with Electric Company Theatre and Robert Lepage, and is currently Associate Choreographer of Nederlands Dans Theater, Associate Dance Artist of Canada’s National Arts Centre, and Associate Artist of Sadler’s Wells in London.
In 2002, she formed Kidd Pivot, a company that strives to distill and translate universal questions into artworks that connect us to deep and essential parts of humanity.
“Running through all of my work is the question of what moves us,” she says. Kidd Pivot tours internationally with critically acclaimed works such as Betroffenheit and Revisor (both co-created with playwright Jonathon Young), The Tempest Replica, Dark Matters, Lost Action and The You Show. In 2008, Crystal Pite participated in the inaugural GGPAA Mentorship Program as the protégée of 2004 GGPAA laureate Veronica Tennant, former principal dancer of the National Ballet of Canada.
Crystal Pite is a Member of the Order of Canada. Her other awards and honours include the Benois de la Danse, Canada Council Jacqueline Lemieux Prize, Grand Prix de la danse de Montréal, two UK Critics’ Circle Dance Awards, four Laurence Olivier Awards, and an honorary doctorate from Simon Fraser University.
Music Director and Principal Conductor of The National Ballet of Canada since 2006, David Briskin is widely recognized as one of contemporary ballet’s most accomplished conductors.
Prior to moving to Canada, David lived and worked for 23 years as a conductor in New York City, working in opera, ballet and in concert. He conducted for seven years with American Ballet Theatre at the Metropolitan Opera House, New York City Center and in major opera houses throughout the world and was a seasonal conductor for New York City Ballet. In addition, he has conducted for nearly all the major North American ballet companies.
Highly in demand internationally as a guest conductor, David has appeared with The Royal Ballet, Covent Garden, The Royal Swedish Ballet, The Royal Danish Ballet and Hamburg Ballet. He has collaborated and conducted many important world premieres including Alexei Ratmansky’s Romeo and Juliet, Christopher Wheeldon and Joby Talbot’s The Winter’s Tale and Wayne McGregor and Max Richter’s MADDADDAM. He has worked closely with composers Missy Mazzoli and Lera Auerbach and has served as Music Director for the Nureyev Legend and Legacy Gala at Theatre Royal Drury Lane in London, which is available on Marquee TV. Last season, he conducted the highly acclaimed concert production of Stephen Sondheim’s A Little Night Music at Koerner Hall.
David has appeared with orchestras and opera companies throughout Europe, Asia and North America including the Pittsburgh, Detroit, Baltimore, Cincinnati Pops, Fort Worth, Indianapolis, Windsor and Shanghai Symphony Orchestras, as well as Calgary Opera, Manitoba Opera, Opera Carolina, Lake George Opera and Sarasota Opera, among others.
Over the years David has been extremely active in arts education. In 2008, he was appointed Assistant Professor at the University of Toronto, Faculty of Music where he taught conducting and served as Director of Orchestral Activities and Conductor of the University of Toronto Symphony Orchestra until 2015. He was Conductor for the Juilliard School’s Dance Division for 13 years and has mentored several young and emerging conductors.
David has served on juries for the Ontario Arts Council, the Women’s Musical Club of Toronto and Sir Ernest MacMillan Memorial Foundation. He has been a strong advocate for musical life in Toronto speaking publicly on behalf of the National Ballet, Luminato Festival and the University of Toronto, among others.
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