Simon Guilbault

For the opera he has collaborated with stage director Oriol Tomas and created sets for La Traviata (2019) at the Icelandic Opera, and for TwentySeven (2019) at l’Atelier lyrique de l’Opéra de Montréal. Designs for recent theatre productions include Le Ravissement (2019) by Étienne Lepage at Théâtre de Quat’sous directed by Claude Poissant, and Les Hardings (2018) by Alexia Burger at Centre du Théâtre d’Aujourd’hui. He collaborated with Marie Brassard creating set designs also for Jimmy (2001), The Darkness (2003), Peepshow (2005), The Invisible (2008) and Trieste (2013), plays that have been acclaimed both in Quebec and internationally. With Cirque du Soleil, he designed the sets for Rebel (2019), Joyeux Calvaire – Homage aux Cowboys Fringuants (2019), Juste une p’tite nuite – Hommage aux Colocs (2018), Bazzar (2018) and Stone — Hommage à Luc Plamondon (2017). In dance he collaborated with Line Nault for Super-Super (2018) and Dana Gingras for Somewhere Between Maybe (2015). His film work includes the production design for Le bruit des arbres (2014) by Francois Péloquin and for Lost Song (2007) by Rodrigue Jean.