HUSH: Henry’s Dream Machine

Visual concert-performance

© Karolina Maruszak
© Karolina Maruszak
© Karolina Maruszak
© Karolina Maruszak
© Karolina Maruszak
© Karolina Maruszak
© Karolina Maruszak
© Karolina Maruszak
© Karolina Maruszak
© Karolina Maruszak
© Karolina Maruszak
© Karolina Maruszak
© Karolina Maruszak
  • In-person event

  • Bilingual
  • Ages 6-12

  • Approx. 55 minutes
Performance options Start time Language Availability
Wednesday, November 9, 2022 9:45 am bilingual Seats available
Thursday, November 10, 2022 9:45 am bilingual Seats available
Friday, November 11, 2022 9:45 am bilingual Seats available

“Wondrous machine”

After Bach and Miles Davis, it’s Henry Purcell’s turn to get a “makeover” from the renowned Zonzo children’s theatre company. Via a miniature version of a theatre straight out of the composer’s time, you’re invited on a wild and crazy journey through Baroque music and fantasies in a land of dreams and imagination! This project is the result of a joyous partnership between Quebec and Flanders. 

Put on your finest silk stockings, board a ghost ship, crank up the wind machine and discover the bewitching world of HUSH, an off-the-wall concert-performance about Henry Purcell, the Shakespeare of English music! His most sublime compositions travel from the 17th century to the present day thanks to the genius of an amazing lutenist/electric guitarist, a fiery accordionist and a simply divine soprano. 

But wait—there’s more to it than meets the eye! Strange characters in ruffled collars, mind-boggling sea creatures and lacy vegetation: the stage becomes a magical box that shifts and changes before your eyes. It’s like stepping into the pages of a fantastic pop-up book! 

  • Adults

    One free adult chaperone ticket for every 15 student admissions purchased. Special Needs Assistants are admitted free of charge. Any additional chaperones are allowed at the discretion of the National Arts Centre and are charged $9 (HST included). 

  • Payment deadlines

    Full payment is required by the payment deadline (5 weeks before the performance). The NAC reserves the right to cancel any orders submitted but not paid for by the payment deadline.  

  • Seating

    There are no reserved seats for NAC student matinee performances. Instead of tickets you will receive a letter of admission and groups will be seated on a first-come, first-served basis at the performance.  The letter of admission will be issued upon receipt of full payment. 

If you have any questions, please contact us at education@nac.cna.ca

  • Music Henry Purcell
  • With Jan Van Outryve (lute), Benjamin Macke (accordion), Julie Calbete (soprano)
  • Musical arrangements Jan Van Outryve and Anne Niepold
  • Text Shakespeare, Dryden, Tate (adaptated by Mélanie Dumont and Wouter Van Looy)
  • Video Nele Fack
  • Sound Design Jo Thielemans
  • Costumes Johanna Trudzinski
  • Advice visual concept Marcelle Hudon
  • Advice set design Sascha Van Riel
  • Additional recordings Stijn Demeulenaere
  • Technical director Arthur De Vuyst
  • Produced by Zonzo Compagnie
  • Coproducers Les Festivals de Wallonie, Opéra de Lille, Concertgebouw Brugge and Het Laatste Bedrijf
  • With the support of La Maison qui Chante, Flanders, the Government of Quebec, and the European Union’s “Creative Europe” program.

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Learning and engagement at Canada’s National Arts Centre is made possible through the support of many generous individuals and organizations from across the country. The Music Alive Program is made possible thanks to the leadership support of National Partner, The Azrieli Foundation, and Major Supporters, The Slaight Family Foundation and TD Bank Group. Thank you also to Grant and Alice Burton, Canada Life, A Donor-Advised Fund at the Community Foundation of Ottawa, Friends of the NAC Orchestra, Donors to the NAC Foundation's Future Fund, The Janice and Earle O’Born Fund for Artistic Excellence, and the donors and sponsors of the NAC’s National Youth and Education Trust, the primary resource for youth and education funding at the National Arts Centre.

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